On Perspective, created in collaboration with Ditesheim & Maffei Fine Art in Neuchâtel, showcases oil paintings and watercolors, two techniques that have accompanied Thomas Huber since the early days of his career. His artistic practice challenges perception, transporting viewers into a dreamlike and imaginary world that reveals additional layers of realism beneath the seemingly accessible surface.

Architecture plays a central role in Thomas Huber’s production: the artist portrays spaces that evoke both classical and utopian realms. These places, although potentially real, are shrouded in an enigmatic aura, offering a profound experience to observers. For Huber, perspective is not merely a tool for spatial representation but becomes an integral part of the artwork, surpassing simple visual rendering, depth, and point of view.

It is all a game of perception and perspective, as can be inferred from the artwork that serves as the “manifesto” of this exhibition: Besucherandrang (from the series Am Horizont, 2015). The large painting presents the same architectural section repeated three times, faithful to itself but never identical in the eyes of the spectator. The artist also creates spaces that reveal other spaces, generating multiple perspectives within the same locations, as evidenced by the canvas Atelier Negativ (2015).