At the entrance of the gallery, there are three small sculptures made of plaster and acrylic resins, resting on wooden pedestals named La vita segreta delle piante (The Secret Life of Plants). With their organic movements, they recall forms of primordial life. All three come from Urpflanze, an exhibition held last summer at Villa Carlotta in Tremezzo on Lake Como. Then it is the turn of Arcipelago (Archipelago), a cycle of works inspired by the coast near the Palmaria island, viewed from the sea. These are visions that could be those of men from distant worlds who are about to land there. The next room is dedicated to Ansedonia, images of a fragment of a forest in the pine forest where even Mario Schifano, a tutelary deity of Frangi, loved to spend the summer. Finally, we find the Ninfee (Water Lilies), works to which the artist has dedicated a lot of attention in recent times. In their realization, he finds a great spontaneity, so much so that he has declared that he “can paint them even with blindfolded eyes”. Big and small, painted on a black or white background, but all inspired by images taken at the Botanical Garden of Padua.